![]() Widen a mono instrument in a sparse mixĪs we established in explaining the algorithm, lending stereo width to a mono element is a great use of the Imager. Now let’s examine some classic uses for the Imager. Understanding the tools will get you better results. Whereas mid/side EQ requires us to be surgical, the Imager allows us to move both quickly and effectively.īoth processes are tools at your disposal, in other words. The Imager, however, leaves truly centered material alone this is one benefit of using it.Īnother, of course, is the relative ease it affords in its operation. ![]() Because of how mid/side is derived, you may wind up grabbing the frequency of something you don’t want-something relatively centered-and affecting it adversely. If you only need to widen one element in a loop, for instance, you could find the bulk of its frequency content and give those frequencies a boost in the sides.īut mid/side EQ is a bit of a misnomer, as I wrote in this article. After all, mid/side EQ is a technique many employ for stereo width purposes.Ĭertainly, mid/side EQ allows you to be more surgical. Note how it feels a bit like stereo capture, the lows are spread away from the highs a bit, like they might be on a stereo electric piano recording.
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